Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
The enchanted lives of a couple in a secluded forest are brutally shattered by a nightmarish hippie cult and their demon-biker henchmen, propelling a man into a spiraling, surreal rampage of vengeance.
A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant unravels the mystery, she must confront her own understanding of friendship, truth and celebrity.
In an alternate version of Oakland, Cassius Green gets a telemarketing job and finds the commission paid job a dispiriting struggle as a black man selling to predominately white people over the phone. That changes when a veteran advises him to use his "white voice," and the attitude behind it to make himself more appealing to customers. With a bizarrely high-pitched accent, Cassius becomes a success even as his colleagues form a union to improve their miserable jobs. Regardless, Cassius finds himself promoted a "Power Caller" selling the most morally abhorrent but lucrative products and services as his connection to his girlfriend and colleagues fades away. However, Cassius' conscience arises anew as he finds himself in the midst of his boss' bizarre world of condescending bigoted decadence and his sinister plans to create the perfect subservient work force with Cassius' help.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Director Boots Riley wanted to credit the claymation film within the film to Michel Gondry as a tribute to the director. Because the film was a parody he didn't legally have to clear the use of Gondry's name, but decided to reach out to him anyway to make sure he was comfortable with the homage. Gondry wanted stipulations put on the use of his name and after Riley agreed he receive a message from Gondry's agents denying him permission to use his name anyway. Riley then changed the name of the director to Michel Dongry as an insult to express his frustration with him and announced he would continue insulting him in future movies until Gondry responded. See more »
I would definitely classify this movie as artsy. By that I mean that the writer tried to convey a message in an indirect and flamboyant manner.
The appropriately named Cassius Green (Lakeith Stanfield) is a struggling, unemployed young man who wants to do something big with his life. He gets the opportunity when he's hired on at a telemarketing company. As he makes one sale after another he is offered the dream gig of being a PC (power caller). As a power caller he can change his life for the better but at what moral cost?
The first half of the movie was really good. It had a good flow to it, the humor was funny, and the plot was clear. The last half of the movie was different, almost like two different people wrote and directed the first and second half. The flow of it seemed to taper off, the humor waned, and the message became almost abstract. As it was I was trying to fully understand all of the visual and verbal non sequiturs but then I became a bit bewildered with the direction the film went. It sort of devolved into something crude and crass. I'm sure there was a point in that but I didn't see a need.
This was Boots Riley's writing and directorial debut. There was some promise here but I think it missed the mark. I hope he gets another shot to do another project and--whereas I don't want him to dumb it down or make it commercial--I'd like to see a more palatable movie.
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