Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest's commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.Written by
Fox Searchlight Pictures
There are several "Easter egg" references to Robert Redford's earlier films, including the opening legend, which is nearly identical to the one that opens "Butch Cassidy and the Sundance Kid" ("Not that it matters, but most of what follows is true") and the scene between Redford and Casey Affleck, where Affleck runs a finger over the side of his nose, which was the signal in "The Sting" between the con men that they were fellow-travelers. See more »
A pensive Jewel (Sissy Spacek) almost overfills a kettle with water. She then pours some water out and puts the kettle on the stove. She walks around for a bit, and mere seconds later, in the same take, the kettle starts whistling off screen. The amount of water in it would have taken several minutes to even warm up, let alone boil. See more »
'The Old Man & The Gun' is Robert Redford's final acting role. It's not quite a fitting finale - he's great as Forrest Tucker, the aging bank robber, but the overall film fall's a little flat. Based on a true story, most of his exciting adventures and prison breaks are glossed over, in favour of him finding late-life love with (Spacek). He can't curb his compulsion to rob banks however, and it assisted by Teddy (Glover) & Waller (Waits), but underutilised.
Detective Hunt (Affleck) is the Texas cop out to catch him - we also spend unnecessary amounts of time with his home-life. The chemistry between Redford and Spacek is good, and he's still as charming as ever. Affleck plays an exhausted cop as almost too dreary. Instead of seeing any heist planning or prison breaks (besides a montage), we instead get Redford and Spacek talking in a diner, walking, or making tea.
Thankfully, it's a quick 90min film, but the pacing and action could've been much better. Tehre's some chuckles, but nothing hilarious. You're better off re-watching 'The Sting'!
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this