In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face?Written by
When the story about the character (Max's upstairs neighbor's friend) who buys a Ferrari is told, the car is shown as having right-hand drive. It's extremely unlikely someone in the US would buy a right-hand drive Ferrari, although of course that would be common in Australia where the movie was made. See more »
Mary Dinkle's eyes were the color of muddy puddles. Her birthmark, the color of poo.
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The end credits show animated portraits of the characters, with the actors names beneath them. See more »
by Elena Kats-Chernin is used by permission of Hal Leonard Astralia Pty. Ltd. exclusive agents for Boosey & Hawkes Music Publishers Lts. of London
Performed by Sydney Alpha Ensemble
Conducted by David Stanhope
Licensed courtesy of Asutralian Broadcasting Corporation See more »
It's hard to describe just how excellent this film is. The story is great, both very funny and touching. The art-design and animation are a delight, thoughtful, very rich in details, and very consistent in style. The music is great. The storyline and direction... I can't find a bad word to say, except that the story drags a little half- way through, but then picks itself up again toward the end. Truly, a must-see. If you like adult animation, this is definitely for you. I agree with those comparing it to Aardman films, Waltz with Bashir and Persepolis, but this movie's animation is so professional, that only Aardman truly compares.
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