After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
When Ripley punches in the code to activate the scuttle procedure, one of the button tabs reads AGARIC FLY. While engineering sounding in name, fly agaric is actually a highly poisonous hallucinogenic mushroom, whose toxin used to be commonly used in flypaper. See more »
In the takeoff sequence the "entering orbit" announcement is heard just after emerging from the clouds - this is impossible because the atmosphere ends at a much higher altitude than the top of clouds/dust layers, and the orbital speed cannot be reached in air even above a small planetoid, moreover, there must be a horizontal acceleration stage out of the atmosphere to gain the speed necessary for the orbital insertion. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
See more »
The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then vertical lines in L and E, and the forward slash in A and the slash in N (so it looks like / I I I \), then the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Scenes trimmed or deleted in the 25th Anniversary Edition:
The camera panning right towards Dallas before he goes into the hallway to talk to Mother.
The scene where Ripley talks to Ash if Mother translated the Alien Transmission.
After Ash losses contact with Dallas and crew after they walk into the Derelict ship, the last shot looking back at Ash's face is cut.
The shot looking at Dallas climbing up the Space Jockey.
Some shots of Kane being lowered down into the Egg Chamber are trimmed.
The shot of Ash leaving the Medical room after talking with Ripley.
Dialogue between Ripley and Dallas discussing Ripley's distrust in Ash is cut.
The beginning shot of Ripley, Parker, and Brett searching down the corridor for the Alien.
The shot with Ripley saying 'Open the Door.' behind the partially opened door.
The last moments of Brett soaking his face.
After the crew discusses the Vent plan, the shot of the Nostromo traveling through space is cut.
The whole scene with Dallas talking to Mother on how he should neutralize the Alien.
Some shots of Dallas crawling down the vent are trimmed.
The shot of Parker going to refuel the Flame-throwers.
Ripley going to talk to Mother just shows her walking to the door instead of getting the key.
Shots of Ripley leaving the Mother Chamber.
The sequence where Ripley, Parker, and Lambert walking through the hallway has been trimmed.
Ripley preparing the shuttle has been trimmed.
Certain shots of Ripley running through the corridors after the self-destruct has been activated have been trimmed.
'Alien' is one of those special films that have aged very, very well. Even now, after nearly 40 years, everything about it just feels fresh. The restrained, natural performances by the fantastic cast; the outstanding production design; the beautiful, ominous score by Jerry Goldsmith; the realistic, "lived-in" look of space-freighter Nostromo's interior: it actually feels less dated than many science fiction films that were made much later, which is quite an astonishing feat. Even the (what now must be considered) "retro" technology inside the ship doesn't necessarily have to be viewed as anachronistic in the face of our obvious recent advancements, because it's the most simple technological equipment that is usually robust enough to survive the longest under harsh conditions (like the extreme temperatures in space).
I feel it's especially hard for science fiction films to stand the test of time - which is kind of inherent to the genre I suppose - and 'Alien' simply remains an outstanding achievement in that regard. It's a testament to the talent of everyone involved, but especially to the vision of director Ridley Scott. The film was crafted with so much love for every little detail, and the designs by Moebius, Chris Foss - and in particular the Lovecraftian horrors unleashed by Swiss surrealist H.R. Giger - are among the best and most iconic in any science fiction film. This isn't just an outstanding, timeless piece of entertainment: it's a work of art. 10 Stars out of 10.