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Барри Линдон (1975)

Barry Lyndon (original title)
Trailer
2:06 | Trailer
An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (written for the screen by), William Makepeace Thackeray (novel)
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Popularity
1,104 ( 23)
Top Rated Movies #218 | Won 4 Oscars. Another 13 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan O'Neal ... Barry Lyndon
Marisa Berenson ... Lady Honoria Lyndon
Patrick Magee ... The Chevalier du Balibari
Hardy Krüger ... Capt. Potzdorf (as Hardy Kruger)
Steven Berkoff ... Lord Ludd
Gay Hamilton Gay Hamilton ... Nora Brady
Marie Kean ... Barry's Mother
Diana Körner ... Lischen (as Diana Koerner)
Murray Melvin ... Rev. Samuel Runt
Frank Middlemass ... Sir Charles Lyndon
André Morell ... Lord Gustavus Adolphus Wendover (as Andre Morell)
Arthur O'Sullivan Arthur O'Sullivan ... Capt. Feeny - the Highwayman
Godfrey Quigley ... Capt. Grogan
Leonard Rossiter ... Capt. John Quin
Philip Stone ... Graham
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Storyline

In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

At long last Redmond Barry became a gentleman -- and that was his tragedy. See more »


Certificate:

See all certifications »

Parents Guide:

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Details

Country:

UK | USA

Language:

English | German | French

Release Date:

18 December 1975 (UK) See more »

Also Known As:

Барри Линдон See more »

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Box Office

Budget:

$11,000,000 (estimated)

Gross USA:

$20,000,000, 31 December 1975

Cumulative Worldwide Gross:

$31,500,000, 31 December 1975
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Metrocolor)| Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Stanley Kubrick had initially been planning to make a film about Napoléon Bonaparte. As per his usual method, he and his team did years of meticulous research into the subject and the era (Kubrick himself had reportedly read a few hundred books on Napoleon), so much that during the lengthy pre-production period, the similarly-themed Waterloo (1970) had also started development. Kubrick was forced to abandon his Napoleon film when the studio chose to back out of the project, allegedly due to budget issues (contrary to popular believe, the commercial failure of Waterloo had nothing to do with this decision, as Kubrick and the studio had already parted ways even before Waterloo went in production). Kubrick decided to make Заводной апельсин (1971) instead, but continued his search for a story set in the 18th century afterwards, as it would allow him to use the copious period research done for his canceled Napoleon project. After considering and rejecting several of them, his eye finally fell on the story of Barry Lyndon by William Makepeace Thackeray. See more »

Goofs

When Barry first meets the Chevalier di Balibari, there's a small side table with a coffee pot to the right, but when the Chevalier is viewed from the front, the table is gone. See more »

Quotes

[first lines]
[two figures visible on the horizon prepare to duel. Three witnesses stand between them]
Second: Gentlemen, cock your pistols! Gentlemen...
Narrator: Barry's father...
Second: ...aim your pistols!
Narrator: ...had been bred, like many other young sons of a genteel family, to the profession of the law.
Second: One!
Narrator: And there is no doubt he would've...
Second: Two!
Narrator: ...made an eminent figure in his profession...
[...]
See more »

Connections

Referenced in Рейд 2 (2014) See more »

Soundtracks

HOHENFRIEDBERGER MARCH
Composed by Frederick The Great
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Frequently Asked Questions

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User Reviews

 
Lavish, engrossing, picaresque
6 February 2002 | by DeeNine-2See all my reviews

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Stanley Kubrick's beautifully opulent production takes many liberties with William Makepeace Thackeray's picaresque romance, The Memoirs of Barry Lyndon, Esq (1843), narrated in the first person depicting events from the eighteenth century. In particular, Redmond Barry who becomes Barry Lyndon, is something of an admirable rake, whereas in Thackeray's novel he is a braggart, a bully and a scoundrel. No matter. Kubrick, in keeping with a long-standing filmland tradition, certainly has license, and Thackeray won't mind.

Ryan O'Neal is the unlikely star, and he does a good job, rising from humble Irish origins to the decadence of titled wealth, employing a two-fisted competence in the manly arts, including some soldiering, some thievery at cards and a presumed consummate skill in the bedroom. Marisa Berenson plays Lady Lyndon, whom Barry has managed to seduce; and when her elderly husband dies, she marries Barry thus elevating his social and economic station in life. But Barry is rather clumsy at playing at peerage, and bit by bit manages to squander most of the Lyndon fortune until his stepson, Lord Bullingdon (Leon Vitali) grows old enough to do something about it.

This really is a gorgeous movie thanks to the exquisite sets and costumes and especially to John Alcott's dreamy cinematography and a fine score by Leonard Rosenman. The 184 minutes go by almost without notice as we are engrossed in the rise and fall of Barry's fortunes. There is fine acting support from Patrick Magee as the Chevalier de Balibari and Leonard Rossiter as Captain Quinn, and a number of lesser players, who through Kubrick's direction bring to life Europe around the time of the Seven Years War (1754-1763) when decadence and aristocratic privilege were still in full flower.

The script features two dueling scenes, the first showing the combatants firing at one another simultaneously at the drop of a white kerchief, the second has Barry and his stepson face each other ten paces apart, but due to the flip of a coin, the stepson fires first. Both scenes are engrossing as we see the loading of the pistols with powder, ball and ramrod, and we are able to note how heavy the pistols are and how difficult it must be to hit a silhouette at even a short distance. It is this kind of careful attention to directional detail that absorbs us in the action and makes veracious the story. Notice too the way the British soldiers march directly en mass toward the French guns. They actually used to fight battles that way! Also note the incredible pile of hair atop Lady Lyndon's head. Surely this is some kind of cinematic record.

Bottom line: one of Kubrick's best, certainly his most beautiful film.


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