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В случае убийства набирайте М (1954)

Dial M for Murder (original title)
Trailer
2:35 | Trailer
A tennis player frames his unfaithful wife for first-degree murder after she inadvertently hinders his plan to kill her.

Director:

Alfred Hitchcock

Writers:

Frederick Knott (screen play), Frederick Knott (adapted from his play)
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4,420 ( 97)
Top Rated Movies #155 | Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Ray Milland ... Tony Wendice
Grace Kelly ... Margot Wendice
Robert Cummings ... Mark Halliday
John Williams ... Chief Inspector Hubbard
Anthony Dawson ... Charles Swann
Leo Britt Leo Britt ... The Storyteller
Patrick Allen ... Detective Pearson
George Leigh George Leigh ... Detective Williams
George Alderson George Alderson ... First Detective
Robin Hughes ... Police Sergeant O'Brien
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Storyline

In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

If a woman answers...hang on for dear life! See more »

Genres:

Crime | Thriller

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 May 1954 (USA) See more »

Also Known As:

В случае убийства набирайте М See more »

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Box Office

Budget:

$1,400,000 (estimated)

Opening Weekend USA:

$12,562, 11 April 1999, Limited Release

Gross USA:

$12,562, 11 April 1999

Cumulative Worldwide Gross:

$13,080,000, 31 December 1954
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (WarnerColor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Olivia de Havilland was offered the role of Margot, but she wanted too much money. See more »

Goofs

[Around 105 minutes] When Inspector Hubbard reaches to open the door after Mark presses the buzzer, the Inspector's hand slips and he briefly has trouble opening the door. See more »

Quotes

[first lines]
Margot Mary Wendice: let me get you another drink. Mark, before Tony comes I ought to explain something.
Mark Halliday: Yes, I've been waiting for that.
Margot Mary Wendice: I haven't told him anything about us.
See more »

Crazy Credits

The title is shown on a background of a British telephone dial; its MN/6 marking is replaced by a single large M which forms the single M of the title. See more »

Alternate Versions

Filmed and originally briefly released in 3-D. Later shown in conventional, "flat" version. It was re-issued in 3-D in 1980. See more »

Frequently Asked Questions

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User Reviews

 
M for masterful
4 September 2010 | by LejinkSee all my reviews

A treat for the eyes and exercise for the brain, "Dial M For Murder" is Hitchcock's second "drawing-room perfect murder" movie, after "Rope", the latter a darker and more sinister affair altogether. Hitchcock himself in interviews played down the quality of this movie, amongst other other things indicating that it was treated almost as a warm-up for the more ambitious "Rear Window" which immediately followed it in his career.

However. it actually has a lot going for it, being beautifully shot in luminous colour, extremely well acted in almost every role and peppered throughout with those eye-catching and brain-satisfying flourishes which so distinguished the director from the rest.

Yes, it is very set-bound, betraying its stage origins and likewise very talky, especially on exposition, but it keeps the viewer alert throughout and delivers a neatly satisfying conclusion. I do wish Hitchcock could have done better with his back-projection unit (an old-fashioned, jarring trait he still hadn't grown out of by "Marnie" some 10 years later) and I occasionally found the constant too frivolous background music an intrusion, but it's well paced throughout, helped considerably by an on-form cast.

Ray Milland is excellent in a kind of darker Cary Grant type persona, Grace Kelly (who'd want to murder her?) goes convincingly from loveliness to wretchedness while it's pleasing to see Robert Cumming to the fore, recalled by Hitch for the first time in over a decade ("since "Saboteur" in 1942). The actors playing the would be murderer and nosey police inspector are just fine too.

About those flourishes..., perhaps the most famous being the changing spotlight on Grace Kelly's doomed face as her trial is condensed into just a few terse minutes and of course the murder scene itself, even if one can't imagine her extended stabbing gesture being strong enough to cut through Swann's jacket far less kill him stone dead, but I also enjoyed the raised tracking shot looking down on Milland as he explains his plot to Swann and particularly the parting shadows of lovers Cumming and Kelly at Milland's unexpected approach.

Yes, it's old fashioned Hollywood movie-making, but it's old-fashioned Hollywood movie-making at its best and in my opinion an unjustly overlooked effort from the Master.


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