This drama centers on a Red Army officer (Paul Muni), a Russian woman (Lisa Elenko), and seven German soldiers who have been trapped in the ruined cellar of a bombed out factory in a ...
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A man named Salem escapes from an insane asylum where he was confined for an axe-murder. Falsely convicted under a plea of "guilty due to insanity", he does not plan to let his sister and ... See full summary »
This drama centers on a Red Army officer (Paul Muni), a Russian woman (Lisa Elenko), and seven German soldiers who have been trapped in the ruined cellar of a bombed out factory in a German-controlled town. While waiting for someone to rescue them, the two Russians try to keep the Germans away. Eventually the Russian officer begins toying with a German officer, and vice versa, as both seek to extract information from the other. The Russian lets on that his troops are planning to construct a tunnel beneath the river. The woman is appalled at this betrayal of information, but her companion reassures her that he can kill the enemy before they have time to share that information, but first they need to get rescued. As time slowly passes, the tension increases, especially when the Soviet begins to fall asleep. The film was made during the brief period after WW II when Russia and the U.S. were allies and the political overtones of the film were unintentional. Later, with the advent of the ...Written by
ETO Film Buff
Opening credits: The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character or history of any person is entirely accidental and unintentional. See more »
Opening credits prologue: In 1942, Russia had been invaded to a depth of a thousand miles, and her armies seemed crushed. The world didn't know that these same "beaten" armies would turn, take back every foot of ground they had lost and then invade Germany itself.
One night in this same year, 1942 . . . .under cover of fog . . . .Russian engineers were engaged in a strange activity . . . .on a river, facing the German lines . . . . . See more »
Counter-Attack, a film celebrating the Russian contribution to the victory of Nazism, earned a place in history for the blacklisting of screen writer John Howard Lawson, member of the Hollywood Ten and a guy who really was a Marxist. He never denied it during his lifetime.
Nevertheless the Russian contribution was certainly real enough and red enough and that's not a political statement either. Paul Muni and Marguerite Chapman play a pair of Russian soldiers who get trapped on the wrong side of the front in a cellar with seven members of the German Army of varying feelings about their leader. Muni and Chapman are on an advance mission to obtain intelligence and they're certain one of their 'prisoners' is an officer in disguise. How to ferret the information from these men is the question.
The film is one claustrophobic exercise and on stage it was done only on the one set of the cellar. It was based on a Russian play Pobyeda and ran under the name Counter-Attack on Broadway during the 1943 season for 85 performances. Morris Carnovsky originated the role Paul Muni has in the film.
Since both sides have no idea who will rescue them eventually it becomes quite a cat and mouse game with Muni and Chapman fighting fatigue. Yet they have a few tricks of their own.
Counter-Attack is a well acted film with Paul Muni under a lot of effective directorial restraint and the ever present helpful hints from his wife Bella. They were one interesting combination, Bella knew her man well and was his best critic. Of course directors getting the idea that they were in charge did not want her around. Harry Cohn got her off the set of A Song To Remember and without her there, the result was Muni's hammiest performance.
Counter-Attack is not a great war film and it got buried during the McCarthy era. Still it's decent enough wartime propaganda and we can view it now with the history of the times in mind.
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