A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.Written by
John J. Magee <email@example.com>
In 1989, Roy Export Company Establishment copyrighted a version with new opening credits, and with Chaplin's score musically directed by and conducted by Carl Davis. The original opening credit of Alfred Newman as the musical director was replaced by "musical direction by Carl Davis." In addition, end credits were added listing those filmmakers and companies involved in the new recording of Chaplin's score in 1988. See more »
You can't go wrong with Charlie Chaplin, but City Lights is even better than Chaplin's films usually are.
Chaplin takes himself a little more seriously in City Lights, and the results are spectacular. The musical score which Chaplin composed for the film was one of the many highlights, and even though Charlie's performance is much more dramatic than usual in some scenes, the hilarious comedy for which he is known and loved is still abundant.
City Lights is so well made that it is one of the very few movies in which the obvious flaws can be gladly overlooked. Yes, you can clearly see the string holding Chaplin up in the sidesplittingly funny boxing scene, but who cares? That is such classic slapstick that little things like that really don't matter. Besides, let's keep in mind that this movie was made seventy years ago.
Chaplin does a phenomenal job in his traditional role of the tramp, and develops a perfectly convincing romantic relationship with the blind flower girl on the sidewalk. His friendship with the drunken rich guy is hilarious, but it also makes a significant comment about the problems of alcohol. This is truly a great film, which should not be forgotten.
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