The Last Movie

Dennis Hopper’s legendary follow-up to Easy Rider ended his Hollywood directing career for at least fifteen years. Barely seen again after brief premiere bookings, it hasn’t built up a reputation as a suppressed masterpiece. So what is it exactly? A new spotless restoration gives a dazzling rebirth to Hopper’s Perú- filmed deconstruction of Hollywood. The astonishing number of notables in the cast list may in itself demand a viewing.

The Last Movie



1971 / Color / 1:85 widescreen / 108 min. / Street Date November 13, 2018 / 39.99

Starring: Dennis Hopper, Stella García, Tomas Milian, Don Gordon, Julie Adams, Donna Baccala, Sylvia Miles, Rod Cameron, Severn Darden, Sam Fuller, Peter Fonda, Henry Jaglom, Michelle Phillips, Kris Kristofferson, Dean Stockwell, Russ Tamblyn, Clint Kimbrough, John Phillip Law, James Mitchum, Richard Rust, Toni Basil, Michael Anderson Jr.

Cinematography: László Kovács

Production design: Leon Ericksen

Film Editors: David Berlatsky, Antranig Mahakian, Dennis Hopper, [Alejandro Jodorowsky]

Original Music: Severn Darden,
See full article at Trailers from Hell »

Midnight Cowboy

Pictures like Midnight Cowboy pulled everyone my age group into the movies, while the entire older generation likely stopped going to movies altogether. John Schlesinger’s masterpiece can boast a number of firsts, and deserves the high praise it receives from every angle — this was the epitome of progressive filmmaking circa 1969.

Midnight Cowboy


The Criterion Collection 925

1969 / Color / 1:85 widescreen/ 113 min. / available through The Criterion Collection / Street Date May 29, 2018 / 39.95

Starring: Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt, Anthony Holland, Bob Balaban, Viva, Ultra Violet, Taylor Mead, Paul Morrissey, Pat Ast, Marlene Clark, Sandy Duncan, M. Emmet Walsh.

Cinematography: Adam Holender

Film Editor: Hugh A. Robertson

Production Design: John Robert Lloyd

Original Music: John Barry

Written by Waldo Salt, based on the novel by James Leo Herlihy

Produced by Jerome Hellman, Kenneth Utt

Directed by John Schlesigner

Midnight Cowboy is perhaps the
See full article at Trailers from Hell »

‘Midnight Cowboy’ Blu-ray Review (Criterion)

Stars: Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver, Georgann Johnson | Written by Waldo Salt | Directed by John Schlesinger

“Where’s that Joe Buck?” the Texan locals ask. Here he is: it’s Jon Voight, a New Yorker playing a Deep Southern wannabe gigolo in flamboyant cowboy getup. Voight looks as pretty as his daughter playing the doe-eyed Joe, who ditches his grimy cafe job and sets off for the Big Apple to make a living sleeping with wealthy older women, while Fred Neil’s insufferably catchy “Everybody’s Talkin’” hums on the soundtrack.

Joe is confident and fearless, simple and childlike, but NYC isn’t all he hoped. Nothing of what he hoped. He’s a fish out of water. Shot from low angles, Manhattan appears more vertical and dwarfing than ever (Joe was the tallest structure back in Texas). This is Manhattan from a much scuzzier era: all neon vice and deviancy,
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Will ‘The Shape of Water’ be the ninth Best Picture Oscar champ not to win any of its three-plus acting nominations?

Will ‘The Shape of Water’ be the ninth Best Picture Oscar champ not to win any of its three-plus acting nominations?
The Shape of Water” is one of two Best Picture Oscar nominees with three acting nominations — the other being “Three Billboards Outside Ebbing, Missouri” — but star Sally Hawkins and supporting players Octavia Spencer and Richard Jenkins are not predicted to win any of them. If they indeed go 0-3 on Sunday and “The Shape of Water” takes the top prize, the fantasy drama will join eight other Best Picture champs that did not convert any of its three-plus acting nominations into wins.

“Birdman” (2014) was the most recent Best Picture winner not to carry an acting award from at least three nominations, as Michael Keaton, Emma Stone and Edward Norton fell to Eddie Redmayne (“The Theory of Everything”), Patricia Arquette (“Boyhood”) and J.K. Simmons (“Whiplash”), respectively. Arquette and Simmons were the supporting frontrunners all season, but Keaton was locked in a tight Best Actor race with Redmayne until the SAG Awards
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2018 Oscars: Does Best Picture champ have to win an acting award first?

2018 Oscars: Does Best Picture champ have to win an acting award first?
The Shape of Water” numbers three acting bids among its leading 13 Academy Awards nominations for lead Sally Hawkins and supporting players Richard Jenkins and Octavia Spencer. According to our exclusive Oscar odds none of them is predicted to win on March 4. Should that scenario play out, does that mean that their film won’t win Best Picture?

Not so fast.

While 53 of the 89 Best Picture champs to date include an Oscar-winning performance, 36 of them (40%) did not win any acting awards. And among those three dozen winners are four of the eight films — “The Hurt Locker” (2009), “Argo” (2012), “Birdman” (2015) and “Spotlight” (2016) — decided by preferential ballot under the newly expanded slate of Best Picture nominees.

Surprisingly, an even dozen of the Best Picture winners did not even reap any acting nominations. That is welcome news for “Arrival,” which does not number an acting bid among its eight nominations. However, four of those films
See full article at Gold Derby »

Drive-In Dust Offs: The Sentinel (1977)

  • DailyDead
In regards to his filmic output, director Michael Winner was wildly inconsistent at his worst and wholly divisive at his best (and vice versa). The remarkable thing is that those two extreme opinions can be about the same film; some find the kinetic sleaze of Death Wish (1974) powerful and disturbing, others find its ham-fisted social grazing problematic and off-putting. But it was a big hit, so naturally Universal let him ride the satanic tide with The Sentinel (1977), a Good vs. Evil, Portal to Hell potboiler that warms this Fulci-loving heart three years before Lucio even set foot in New Orleans.

Given a limited release in January stateside, The Sentinel barely broke even on its $4 million budget, and the critics hated it, deeming it lurid, reprehensible trash. Which it is; but it’s also ridiculously entertaining and has a few truly haunting moments. Turns out Winner could do horror—and yet
See full article at DailyDead »

Drive-In Dust Offs: The Funhouse (1981)

  • DailyDead
Everyone needs an escape from time to time. A place apart from reality, where the strange whisper with the miraculous, and cheap trinkets are bartered with greasy denizens of the night. What better place to set a horror film than the carnival, where the potential for mystery awaits around every crimson tent and distorted mirror? If you’re so inclined, step right up and buy a ticket to The Funhouse (1981), the late Tobe Hooper’s wonderful tribute to the seedy shadowed world of carnies, caramel apples, and Universal monsters.

Released in March by Universal, The Funhouse underperformed at the box office, but critics (including Gene Siskel) admired it for focusing on suspense and thrills rather than gruesome mayhem. In a landscape littered with severed limbs and phallically inclined urban legends, Mr. Hooper used his genius to once again showcase the underbelly of the American psyche, this time with a major studio’s dollars.
See full article at DailyDead »

Empire Dreams and the New York City of "Midnight Cowboy"

Initially a bustling urban backdrop for this new and correspondingly modern medium known as cinema, New York City has been a focal point of American movies since the inception of the form itself. Movies were made to move, and no place moved like NYC. At first, it was the city alone that dazzled filmgoers: the sheer scope and scale of Manhattan’s topography, the size of the city’s towering skyscrapers, the clustered ebb and flow of its lively population. Then stories emerged out of this concrete jungle, stories born from the teeming metropolitan setting: immigrant tragedies, gangster tales, social dramas of class inequality and economic expansion. Before long, Hollywood coopted New York, and suddenly, the bi-coastal portrayal of the Big Apple featured posh penthouses, swanky nightclubs, and a decidedly one-sided representation of the haves and have-nots (Hollywood liked the haves). As an alternative, independent filmmakers took the city’s
See full article at MUBI »

’45 Years’: Charlotte Rampling’s Near Brushes With Oscar

By Patrick Shanley

Managing Editor

British actress Charlotte Rampling has been appearing on film for five decades. Over the course of her 50-year career, Rampling has solidified her iconic status, yet the 69-year-old actress has never been nominated for an Oscar. This year, however, she may have her best shot in the romantic drama 45 Years.

Rampling’s performance as a wife whose 45th wedding anniversary is disrupted by a potential life-changing letter from an unexpected sender earned her the Silver Bear award for best actress at this year’s Berlin International Film Festival. Rampling’s costar, Tom Courtenay, also won the Silver Bear and the film itself was nominated for the Golden Bear.

This is far from Rampling’s first appearance in a film that has received love from critics and awards voters, as the star’s career features several occasions in which her films garnered Oscar attention but Rampling herself was left out.
See full article at Scott Feinberg »

The Sentinel

Michael Winner is the bad-taste choice to give The Exorcist a run for its money in the faux-religious horror shocker sweepstakes, and the brave actress Cristina Raines leads an impressive supporting cast as the unfortunate suicide attemptee chosen to be the new Gatekeeper for the portal to Hell. Don't expect to see a Keymaster, but instead some of the most indigestible exploitation of the mainstream decade -- mainly real sideshow oddities to represent 'evil' people. Easily the hands-down insensitivity champ of the '70s. The Sentinel Blu-ray Shout! Factory / Scream Factory 1977 / Color / 2:35 widescreen / 92 min. / Street Date September 22, 2015 / 27.99 Starring Cristina Raines, Chris Sarandon, Burgess Meredith, Arthur Kennedy, Deborah Raffin, Ava Gardner, John Carradine, Beverly D'Angelo, Eli Wallach, Sylvia Miles, Martin Balsam, José Ferrer, Christopher Walken, Jerry Orbach, William Hickey, Jeff Goldblum, Anthony Holland, Tom Berenger. Cinematography Dick Kratina Special Effects Albert Whitlock Special Makeup Effects Dick Smith Original Music Gil Melle
See full article at Trailers from Hell »

The Sentinel (1977) Blu-ray Announced by Scream Factory

You can't choose your neighbors in an apartment complex, and sometimes you get stuck next to a noisy, mean-spirited soul who makes you want to look in the classified ads before you even finish unpacking. Alison Parker has some rowdy neighbors around her new Brooklyn apartment, but what disturbs her the most is that nobody else lives on her floor. And that's only one of many creepy elements to be found in 1977's The Sentinel, and fans of the cult classic fright film should be excited to hear that Scream Factory has announced they will release The Sentinel on Blu-ray this summer.

From Scream Factory: "We are beyond thrilled today to report that we will be bringing the 1977 cult classic chiller The Sentinel to Blu-ray for the first time in the U.S. and Canada!

Planned release is for August. This often underrated, overlooked and shocking film from Director Michael Winner
See full article at DailyDead »

The 35 Greatest Murder Mystery Movies Ever Made

Murder mysteries are so commonplace on TV that each week offers seemingly dozens of them on police procedural series and detective shows. But in the movies, whodunits are surprisingly rare, and really good ones rarer still. There's really only a handful of movies that excel in offering the viewer the pleasure of solving the crime along with a charismatic sleuth, often with an all-star cast of suspects hamming it up as they try not to appear guilty.

One of the best was "Murder on the Orient Express," released 40 years ago this week, on November 24, 1974. Like many films adapted from Agatha Christie novels, this one featured an eccentric but meticulous investigator (in this case, Albert Finney as Belgian epicure Hercule Poirot), a glamorous and claustrophobic setting (here, the famous luxury train from Istanbul to Paris), and a tricky murder plot with an outrageous solution. The film won an Oscar for passenger
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On TCM: Oscar Winner Colbert

Claudette Colbert movies on Turner Classic Movies: From ‘The Smiling Lieutenant’ to TCM premiere ‘Skylark’ (photo: Claudette Colbert and Maurice Chevalier in ‘The Smiling Lieutenant’) Claudette Colbert, the studio era’s perky, independent-minded — and French-born — "all-American" girlfriend (and later all-American wife and mother), is Turner Classic Movies’ star of the day today, August 18, 2014, as TCM continues with its "Summer Under the Stars" film series. Colbert, a surprise Best Actress Academy Award winner for Frank Capra’s 1934 comedy It Happened One Night, was one Paramount’s biggest box office draws for more than decade and Hollywood’s top-paid female star of 1938, with reported earnings of $426,944 — or about $7.21 million in 2014 dollars. (See also: TCM’s Claudette Colbert day in 2011.) Right now, TCM is showing Ernst Lubitsch’s light (but ultimately bittersweet) romantic comedy-musical The Smiling Lieutenant (1931), a Best Picture Academy Award nominee starring Maurice Chevalier as a French-accented Central European lieutenant in
See full article at Alt Film Guide »

This Is the 'Midnight Cowboy' Legacy, From A to Z

It's a shock to go back and watch "Midnight Cowboy" 45 years after its debut (on May 25, 1969) and see how raw and otherworldly it looks. After all, the X-rated Best Picture Oscar-winner has been so thoroughly assimilated into American pop culture that even kiddie entertainments like the Muppets have copied from it.

The tale of the unlikely friendship between naïve Texas gigolo Joe Buck (Jon Voight) and frail Bronx con man Enrico "Ratso" Rizzo (Dustin Hoffman), "Midnight Cowboy" was initially considered so risqué that it's the only X-rated movie ever to win the Academy's top prize (though after it won, the ratings board reconsidered and gave the film an R). Still, the film featured two lead performances and a few individual scenes that were so iconic that homages (and parodies) have popped up virtually everywhere. (Most often imitated is the scene where Ratso, limping across a busy Manhattan street, is nearly
See full article at Moviefone »

Movie Poster of the Week: Lesser-Known Oscar Nominees of the 60s and 70s

  • MUBI
The poster for Voyage of the Damned makes a bold claim, and maybe those who saw Stuart Rosenberg’s star-studded blockbuster in 1976 have remembered it ever since. Until a couple of weeks ago, however, when I saw it in a list of past Oscar nominees, I had never heard of it, and I don’t think it would be unfair to say that it is a film that has not stood the test of time.

Voyage of the Damned, which chronicles the tragic failed escape of 937 Jewish refugees from Nazi Germany, was nominated for three Oscars (for Best Score, Best Adapted Screenplay, and for Lee Grant for Best Supporting Actress, the lone acting nominee among a boatload of international heavyweights).

Oscar nominations, especially for acting, tend to confer a certain amount of immortality on their recipients (you are forever “Academy Award nominee Lee Grant”) and there are many films and
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Briefs: “Compare and Despair,” Meet the Gaybros, and One Mom is Horrified at Kevin Keller’s First Kiss

Birthday shoutouts go to David Duchovny (above), who is 53, Charlize Theron is 38, and Michael Shannon is 39.

Rod Snyder, the outgoing President of Young Democrats of America, has come out.

President Obama Defends Gay Rights, Has ‘No Patience’ For Russia On Discrimination

Meet the Gaybros. Wasn’t there another group a few years ago that was pretty much the same thing?

Perfect People planning Perfect wedding, blah, blah, blah.

Uh-Oh, It sounds like I need the services of psychotherapist Matthew Dempsey, who talks about gay men and their need to “Compare and Despair.” I know he’s legit, and the advice is sincere, but when he says things like “For instance, it you just landed a regional commercial, you’re really excited about that, until later on, you discover that a close friend landed a recurring role on True Blood, the commercial might not seem like such a success anymore,” I
See full article at The Backlot »

Retro Gay Cinema: Gay Movies Worth Watching Again

Cruising stars Al Pacino as a leather-clad undercover cop… who’s not a member of the Village People

Just as your favorite TV series may be getting ready to take the summer off – or get canceled (goodbye, The New Normal) – entertainment buffs needn’t look too far to find a wealth of memorable gay movies that are well worth watching again and again. (Hello, Netflix!)

These films may not be perfect. In fact, some are downright offensive by today’s standards. But they are all in some way groundbreaking for their time period and considered in sequence they provide a record of mainstream culture’s changing attitudes towards gay men.

Feeling nostalgic? Can’t get enough body hair? Want to experience the celluloid life pre-Stonewall? Here’s our guide to some of the most notable (and gayest) old-school flicks from before the millennium.

Rope (1948)

While most films from the pre-Stonewall
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Movie Review: The Funhouse (1981)

Review by Chris Wright,

The Funhouse” (1981)

Directed By: Tobe Hooper

Written By: Larry Block

Starring: Elizabeth Berridge (Amy Harper), Shawn Carson (Joe Harper), Jeanne Austin (Mrs. Harper), Jack McDermott (Mr. Harper), Cooper Huckabee (Buzz), Largo Woodruff (Liz), Miles Chapin (Richie),Sylvia Miles (Madame Zena), David Carson (Geek), Sonia Zomina (Big Lady), Kevin Conway (Carnival Barber), Herb Robins (Carnival Manager), Mona Agar (Strip Show Dancer), Wayne Doba (The Monster), William Finley (Marco the Magnificent)

With Tobe Hooper having many popular films in his directing filmography, The Funhouse falls by the way-side on being familiar in horror. I enjoyed this early Hooper movie a lot. It takes many of the various slasher elements and adds the right mix of camp and bloodshed for a delicate treat for viewers. Opening up at a limited scope of theaters, it had a respectable opening in 1981. It is available on all media formats; it
See full article at MoreHorror »

Farewell, My Lovely

(Dick Richards, 1975, Park Circus, 15)

Raymond Chandler's second Philip Marlowe novel has been filmed three times: first in disguise as the 1942 B-movie The Falcon Takes Over, next as the excellent noir thriller Murder My Sweet (1944) starring Dick Powell, and third as this elegant neo-noir with a perfectly cast Robert Mitchum, at 58 the oldest actor to play Marlowe. It appeared during a period of nostalgia for the interwar years (along with The Great Gatsby, The Sting, The Way We Were, Chinatown) and is set in 1941 during the months leading up to Pearl Harbor. To a bluesy score by David Shire, Marlowe goes down the mean streets of a Los Angeles lit by John A Alonzo to resemble paintings by Edward Hopper. He's searching for Velma, the missing moll of gangster Moose Malloy, and following Joe Dimaggio's hitting streak for the Yankees. He's a weary figure, aware that his chivalric values
See full article at The Guardian - Film News »

Review: The Funhouse (Blu-ray)

Much like the dark rides in carnivals and amusement parks of our youth, Tobe Hooper’s The Funhouse, is a slow, yet creepy film, and an intriguing thematic sequel of sorts to The Texas Chain Saw Massacre.

The simple story takes place over a single night when a double date between Amy and Liz (Elizabeth Berridge and Largo Woodruff) and their respective beaus Buzz and Richie (Cooper Huckabee and Miles Chapin) turns into a nightmare when they become trapped inside the funhouse at the local carnival.

Berridge, the film’s lead, is a likeable actress. She epitomizes “the girl next door” and acts as the conscience of the audience at times, never wanting to bow to the pressure of her friends. Woodruff as the “bad girl” is a nice counter to Berridge’s squeaky-clean character. Although the two are so different, it’s easy to see why Amy likes Liz as Woodruff plays her.
See full article at DailyDead »
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